CATALOGUE

While we are busy researching how to reach new and exceptional comic authors, visual narration and illustration, people, cities, buildings, and probably a lot of art pieces, comics, books all over the planet are disappearing. They emerge and they disappear. It is difficult to halt these processes, but it is certainly worth committing to strive

for creation, with the entirety of one’s being and available means. We believe that empty space deserves a better and a more humane content in which we ourselves need to partake.

Following the trail of underrepresented and less known female com-ic book authors, we had set off for WOMCOM to familiarize ourselves with the existing scene, and afterwards tried discovering new female authors, to make them as visible as possible and, potentially acquire new collaborators in the future. The mention of female comic book au-thors in available, renowned books of comic history and essays is really rare, so “Women — comic book authors” by Slobodan Ivkov (“Likovni susreti,” Subotica, 1995) in the catalogue “60 years of national comics in Serbia 1935-1995,” can be considered a starting point. The same author later published several more texts about female comic book authors, their publications, exhibitions, etc. Female comic authors are present and active, they publish, and exhibit, but it was our impression that they are not present enough on our comic scene. Upon numerous editions, published both by the Students’ Cultural Center Novi Sad and other publishers, the female authors are present at collective and indi-vidual exhibitions, workshops, comic actions, etc.

A group of female authors took on a more ac-tive role themselves and here we are now with the WOMCOM project, a publication by Stripo-tetka, “Why Do Ladybugs Eat People”by Valen-tina Broštean, “ The Beasts Within Us”by Nađa-Tiodorović, “Mu — How Much Would You Sell Your Memories For” by Ana and Sara Živković, with residencies, exhibitions, new editions and, most importantly, the presence of female authors at all festivals, comic book events, and the blood flow of the scene has changed. What we’ve gained with WOMCOM: if we were looking for the unity of opposing energies, through residencies, con-ferences, correspondence, conversations, sug-gestions, we got a synergy of new comic man-uscripts, different drawing choices, narratives, a model of how it is possible to set in motion nu-merous different energies and coordinate them into possible ways of visual expression. We have an Catalogue and a platform to document all this. Certainly, there is still a lot of work ahead: promot-ing, encouraging, creating new conditions for re-search, experimentation, targeting new problems, bad phenomena, neutralizing stereotypes and leaving it up to the female authors and curators to decide where to go next.

If this silent protest and soft activism has yielded results - two female authors were the main guests at the 17th and 18th comics weekend, they were an integral part of the festivals in Herceg Novi, Novo Doba Belgrade, Sombor, Bar, Novi Pazar, Zagreb, Ljubljana - there is no reason to stop now.

Jovan Gvero, WOMCOM Artistic Director